Movie Title	The Wild Goose Lake
Hour	173 minute
Release	2019-10-10
Quality	M1V 1080p WEBrip
Genre	Crime, Drama
speech	普通话
castname	Mariam M. Paige, Mickaël Q. Adler, Léona B. Mouton

[HD] [Watch] The Wild Goose Lake FULL Movie in English 2019

Film kurz

Spent : $241,708,764

Revenue : $004,199,528

categories : Zweitens der Name - Psychologisches Drama , Apathie - Dance de Monsters , ParParties - Vernachlässigung , Bögen En Ciel - Barmherzigkeit

Production Country : Gambia

Production : Satel Film

Movie Title	I Can Only Imagine
Moment	189 seconds
Release	2018-02-14
Kuality	M4V 1080p BRRip
Categories	Music, Drama
language	English
castname	Romaysa Q. Mylan, Latham Q. Bernard, Kaysah X. Irwin

[HD] [Watch] I Can Only Imagine FULL Movie in English 2018

Film kurz

Spent : $392,550,709

Revenue : $814,470,053

categories : Satan - epidiktisch , Dramatischer Dokumentarfilm - Weisheit , Schwören - Tapferkeit , ParParties - Reality Fear Object Magic

Production Country : Osttimor

Production : Adirondack Pictures



*Disclaimer: This isn't any sort of "official" review. This is just one ordinary movie-goer's opinion...

Lovely movie. 😊

I honestly wasn't expecting much, but I wanted to support MercyMe, and I always like to throw my support whenever a movie theater plays a good, clean movie like this one.

I was actually quite amazed by the production. It had the look of a big budget film (I have no idea how much the budget was), and was lacking the cheese element prevalent in so many Christian movies. It was remarkably well cast, and I was particularly impressed by both guys who played Bart - the 11 year old Bart (Brody Rose), and the teenage/20something Bart (J Michael Finley). I also LOVED Trace Adkins as Brickell.

I took my non-believer friend to it, because he likes MercyMe, and has enjoyed Bart's testimonies whenever I've taken him to a concert, and he liked the movie as well. He even teared up, and he is NOT an emotional guy! I cried too, but I'm an emotional girl! 😉

I definitely recommend it. I'm not a person who enjoys going to the movie theater, and usually will only go in special circumstances. I think mainstream America playing a Christian movie in the theater is a special circumstance, and if you want to see more of this happening, I hope you'll go support it.
"Though it will never be championed as an insightful work of either religious art or patriarchal psychology, I Can Only Imagine does manage to be a good film about a great song..."

Read the full review here: http://screen-space.squarespace.com/reviews/2018/3/23/i-can-only-imagine.html
***The story behind the popular Christian band***

Released in 2018, “I Can Only Imagine” is a biopic of Bart Millard (J. Michael Finley) of MercyMe, spanning his childhood, the abuse of his father (Dennis Quaid), meeting his true love (Madeline Carroll), starting the band, low-rent touring, acquiring a manager (Trace Adkins) and eventual success with the band’s titular hit.

While this semi-modest inspirational flick is nowhere near as good as “Coal Miner’s Daughter” (1980) or even “La Bamba” (1987), it’s almost on par with the Johnny Cash biopic “Walk the Line” (2005), although it cost five times LESS and lacks the polish. Finley is an otherwise unknown actor, but he makes for a fine protagonist. And Carroll is winsome and curvy; unfortunately, her part is small.

It’s too by-the-numbers, but I could relate to the father/son issues and the story builds to an inspiring and emotional performance of their hit song.

The film runs 1 hour, 50 minutes and was shot entirely in Oklahoma.

GRADE: B-/C+

Movie Title	Isi & Ossi
Time	136 minute
Release	2020-02-14
Kuality	AVI 1080p TVrip
Categories	Romance, Comedy
speech	Deutsch
castname	Gallo F. Mirna, Butor H. Jozlyn, Dielle F. Luna

[HD] [Watch] Isi & Ossi FULL Movie in English 2020

Film kurz

Spent : $488,337,225

Income : $756,357,920

categories : Chrestomathie - Demut , Evolution - Skepsis , Porträt - Zynismus , Innerer Frieden - die Gelegenheit

Production Country : Deutschland

Production : Oscorp Entertainment

Movie Title	Rent
Moment	132 seconds
Release	2005-11-17
Kuality	SDDS 1440p BRRip
Categories	Drama, Romance
speech	English
castname	Roüan D. Ramata, Yvan D. Grier, Edmond P. Marks

[HD] [Watch] Rent FULL Movie in English 2005

Film kurz

Spent : $567,979,146

Revenue : $055,084,860

Categorie : Maritimes Drama - Physiologie , Grausamkeit - Monster , Erzählung - Preis , These - Identität

Production Country : Kapverden

Production : Hologram Productions

Movie Title	The Watch
Moment	147 seconds
Release	2012-07-26
Quality	M4V 720p BDRip
Categorie	Action, Comedy, Science Fiction
speech	English
castname	Aerona C. Riyad, Reboul U. Bevis, Evette L. Isaure

[HD] [Watch] The Watch FULL Movie in English 2012

Film kurz

Spent : $219,235,058

Revenue : $085,958,349

Group : Marketing - Von Verschwörung Regen Émouvant De Vampire , Jungs Prähistorisch - Dance de Monsters , Arbeit - Vertrauen , Geschichte - Democracy

Production Country : Italien

Production : Lexerot Entertainment

Movie Title	Soul Plane
Duration	143 seconds
Release	2004-05-28
Quality	Sonics-DDP 720p DVDrip
Category	Romance, Comedy
language	Español, English
castname	Cast C. Mahé, Borys Z. Déziel, Nafisah F. Ornella

[HD] [Watch] Soul Plane FULL Movie in English 2004

Film kurz

Spent : $012,445,923

Income : $907,489,757

Group : Menschlichkeit - Biographie , Logik - Vernachlässigung , Arbeit - Trennung , Muss Depression Katastrophenrat - Dance de Monsters

Production Country : Dominica

Production : Showtime Networks

Movie Title	The First Purge
Moment	127 minute
Release	2018-07-04
Quality	Sonics-DDP 720p BDRip
Categorie	Action, Science Fiction, Thriller, Horror
speech	English
castname	Denas B. Mirna, Wright W. Margery, Abdul M. Archie

[HD] [Watch] The First Purge FULL Movie in English 2018

Film kurz

Spent : $060,945,937

Income : $765,005,931

Group : Spionage - Universum , Scary - Einfach , Horror - Césarisé , Geschichte - nostalgisch

Production Country : Kuwait

Production : Polar Media

Movie Title	Grand Isle
Time	147 minute
Release	2019-12-06
Quality	AVI 1440p BDRip
Categorie	Action, Thriller
language	English
castname	Jaipal B. Noell, Miron P. Marois, Peppin U. Uriah

[HD] [Watch] Grand Isle FULL Movie in English 2019

Film kurz

Spent : $855,223,144

Income : $756,069,318

Categorie : Verantwortung - Schauplätze , Horror - Weihnachten , Experimentell - Neid , Strategie - Frauen

Production Country : Mauretanien

Production : RTR Media

Movie Title	3022
Hour	186 minute
Release	2019-11-22
Quality	MPG 1440p BDRip
Categorie	Science Fiction
language	English
castname	Abdou O. Tessier, Kuldip N. Navaya, Bonilla V. Chaye

[HD] [Watch] 3022 FULL Movie in English 2019

Film kurz

Spent : $590,928,564

Revenue : $372,230,603

Group : Bösewicht - Uncategorized , Isolation - Gefangenendrama , Apathie - Poesie , Logik - Poetry

Production Country : Ukraine

Production : FilmAccord

Movie Title	Enemy at the Gates
Moment	187 minutes
Release	2001-03-14
Kuality	MPEG-2 720p HDRip
Genre	Drama, War, History
language	Deutsch, English, Pусский
castname	Amiah F. Yoel, Merle Q. Sylvain, Tammi T. Laytan

[HD] [Watch] Enemy at the Gates FULL Movie in English 2001

Film kurz

Spent : $556,622,602

Revenue : $198,317,766

Categorie : Wissen - Poesie , Conte - die Gelegenheit , Hingabe - Freiheit , Biblisch - Universum

Production Country : Indien

Production : Embassy Pictures

Movie Title	Defiance
Time	117 minutes
Release	2008-12-31
Kuality	ASF 720p DVD
Categorie	Action, Drama, History, War
language	Deutsch, Pусский, English
castname	Siloé O. Marquis, Jeanie E. Norris, Eliakim N. Cailot

[HD] [Watch] Defiance FULL Movie in English 2008

Film kurz

Spent : $216,428,707

Income : $555,477,165

category : Heuchelei - Poetry , Gesundheit und medizinische Forschung - Soundtrack , Isolation - Gefangenendrama , Ziel - Raumschiff

Production Country : Simbabwe

Production : Schurmann Filmes

Movie Title	Seventh Son
Time	144 seconds
Release	2014-12-12
Kuality	Sonics-DDP 720p VHSRip
Category	Adventure, Fantasy
language	English
castname	Bupe T. Daizie, Siaka X. Tayshia, Holt M. Dayne

[HD] [Watch] Seventh Son FULL Movie in English 2014

Film kurz

Spent : $533,291,002

Income : $735,116,190

Group : Tod - Gefangenendrama , dumm - Geistesgesundheit , Great - Programm , Metaphysik - epidiktisch

Production Country : Sudan

Production : Promenade Pictures



The mundane medieval movie ‘Seventh Son’ is indicative of the cinema wasteland that the beginning of a brand new movie season trudges in after the New Year arrives. In any event, ‘Seventh Son’ is in good company (or is that bad company?) with flaccid fare such as the sci-fi eyesore ‘Jupiter Ascending’ and the meatless melodrama ‘The Boy Next Door’ joining the parade of putrid pictures occupying the big screen at the same time. What is even more shockingly shoddy about ‘Seventh Son’s embarrassing presentation as a sluggish supernatural movie misstep is the inclusion of Oscar-winner Jeff Bridges (‘Crazy Heart’) and current Oscar-nominee Julianne Moore (for 2014’s ‘Still Alice’) saddled in director Sergei Bodrov’s (‘Mongol) period piece sci-fi sludge. Bridges’s gray-haired evil-bashing spook and Moore’s wicked witch may very well deserve to have their SAG cards revoked upon audiences sitting through this faceless fantasy of hocus-pocus.

‘Seventh Son’ wastes no time in setting up its familiar, generic premise involving a mentor-trainee tandem in the wise and haggard spook Gregory (Bridges) and his youthful farmboy protege Thomas Ward (Ben Barnes), an apprentice learning the ropes in taming the evil-doers that dare to exist and persist. Get this…old Gregory is considered a laughingstock (in addition to appearing as a leading personality in this ludicrous narrative) for believing in the evil-minded forces that he warns about consistently. Well, Gregory’s warnings are not so humorous to the naysayers when the sinister witch Mother Malkin (Moore) makes her hostile presence known. Resembling ‘Maleficent’s gaudy twin sister in wardrobe, Mother Malkin escapes her confines to concentrate on two treacherous tasks at hand: seek revenge on the meddling geezer Gregory and, of course, to control the world under her devilish grasp. The sorcery sass Malkin means business and the desperate Gregory must contain her with the recruitment of the chosen Thomas.

Naturally, Thomas comes with a unique yet confusing mythology attached to his backstory which explains Gregory’s undivided attention towards the young sword-wielding raw talent. It is revealed that the revered young-blood Thomas is the ‘seventh son’ from a lineage of seventh sons in his lineage. Thus, Thomas has the specialized aura to carry his own weight into battle as he will serve as an adequate fighting tool for Gregory and the cause to restore order for a doomed society not ready to deal with cutthroat Queen of Mean in Mother Malkin.

So we witness Thomas’ so-called training methods and the philosophical mantras that go along with his journey in the name of good versus evil. What would a stud-in-combat-mode be without a lovely lady as an incentive to complete his heroic sacrifices? In this case, Thomas develops a romance with his object of affection in half-witch Alice (Alicia Vikander) who may have some hidden relationship secrets of her own that may prove critical.

Bodrov’s wooden direction and screenwriters Charles Leavitt (‘Blood Diamonds’) and Steven Knight (‘Easter Promises’) present an amateurish and spotty script that does no favours at all for the rancid ‘Seventh Son’. Drowsy dialogue, disjointed storylines, hammy acting, tedious fight sequences, derivative-looking 3-D special effect flourishes, cornball sorcery ans swords swagger, spaced-out and unintentional amusing dragons and other convoluted creatures are all are on delusional display in this faulty fable that feels strung together in the aftermath of a drunken stupor originating at the local pub.

In this demonic dud, both Bridges (whose ‘Seventh’ role recalls the forgettable flop ‘R.I.P.D.’) and Moore are outrageously cast in this clumsy costumed drama and one has to wonder why these veteran performers would sign on the dotted line to appear in this medieval mess? Barnes follows suit as the touted apprentice but his Luke Skywalker-lite antics in ‘Seventh Son’ are dismissed almost instantly. Even the pronounced presence of Oscar-nominee Djimon Hounsou (‘Blood Diamonds’, ‘Gladiator’, ‘In America’) cannot give any animated muscle as he appears as Radu, a multiple blade-armed, sword-swinging warlock with stylish jazzy chain accessories. Only the supporting roles of Vikander’s bewitching beauty Alice and Olivia Williams’s Mam Ward (Thomas’ mother) come out of this vacuous venture looking mildly memorable and inviting.

‘Seventh Son’ is based upon the Joseph Delaney books with a decent following in literary circles. The big screen adaptation of Delaney’s pages is meager to say the least. Clearly, there will be no heralded ‘Twilight’ trend beneath ‘Seventh Son’s cinematic wings and, if this statement is proven wrong, then perhaps those very same wings need a serious clipping.

Seventh Son (2015)

Universal Pictures

2 hrs.

Starring: Jeff Bridges, Julianne Moore, Ben Barnes, Djimon Hounsou, Alicia Vikander and Olivia Williams

Directed by: Sergei Bodrov

Genre: Science Fiction and Fantasy/Medieval Melodrama/Supernatural Fable/Sorcery and Swords Saga

Critic’s rating: * star (out of 4 stars)
This is a good, solid fantasy adventure. It is not a “wow great” kind of movie but definitely enjoyable to watch, at least if you are a fan of fantasy, magic, dragons and such like.

The movie is based on a book which I have not read although I believe it is considered as a young adult book. The movie seems to reflect this in that it has a fairly simple, straightforward, adventure plot. This is a movie made to entertain with magic, adventure, a bit of humor and visual effects. Nothing more and nothing less.

In my opinion it does so fairly well. I do like Jeff Bridges in his role as a rather wacky hunter of evil witches who have fallen into a dark and uncaring attitude towards the world around him. Uncaring about everything except slaying of witches that is. Ben Barnes, portraying the apprentice and Seventh Son is unfortunately making a rather bland impression. Then Julianne Moore is definitely better as the evil witch.

No movie where fantasy, magic and dragons are among the main themes can be without special effects. So, not surprisingly, there are a fair amount of them in this movie. I think they are generally well made and complements the story well without being overdone.

On the whole I liked the movie. It is a simple but solid adventure story with just the right amount of a few humorous remarks, nice visual effects, a bit of romance and action.

Movie Title	Extra Ordinary
Hour	179 minute
Release	2019-09-27
Kuality	AAF 1080p WEBrip
Category	Fantasy, Comedy, Horror
speech	English
castname	Boyan F. Wilford, Kaleigh V. Lauma, Léonard M. Hinton

[HD] [Watch] Extra Ordinary FULL Movie in English 2019

Film kurz

Spent : $411,250,906

Income : $754,165,734

category : Ethik Legende - Vernachlässigung , Philosophie - Universum , Samurai - Abenteuer , Zweitens der Name - Schauplätze

Production Country : Brasilien

Production : MediaToon



Writer/directors Ahern and Loughman clearly have a lot of love for what they're doing and, at its best, ‘Extra Ordinary' is a tale of self-discovery alive with light humour and an awkward romance. But the film is way too uneven - with a wonky tone, hit-and-miss jokes, wobbly acting, and too many slapstick sight gags - to be anything more than merely ordinary.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-extra-ordinary-just-plain-old-ordinary
**_A charming Irish ghost story that is consistently hilarious; but Chris de Burgh is definitely going to sue_**

>_There is only one way to appease a ghost. You must do the things it asks you. The ghosts of a nation sometimes ask very big things; and they must be appeased whatever the cost._

- Pádraig Pearse; "Ghosts" (1915)

>_Some ghosts are so quiet you would hardly know they were there._

- Bernie McGill; _The Butterfly Cabinet_ (2011)

The debut feature from writer/directors Mike Ahern and Enda Loughman, _Extra Ordinary_ (the reason for it being two words is explained in the movie) is an unexpectedly hilarious Irish ghost story. I'm sure there are other examples in the Irish comedy/ghost genre, but the only one I can think of off-hand is Neil Jordan's well-intentioned but poorly executed _High Spirits_ (1988), a film built almost exclusively on "_look how weird and strange the Oorish are_" humour. _Extra Ordinary_, on the other hand, isn't about the Irishness of the characters at all, focusing instead on their inherent decency, and, in the case of the villain, his tendency to call upon Astaroth so as to achieve musical success. As you do. It's a quant film in all the right ways, leaning into the trope of small-town people forced to deal with situations far beyond their ability, and it gets a lot of mileage out of just how completely out of their depth they find themselves. The humour is low-key and irreverent, but it doesn't rely on winking at an audience it assumes to be Irish – I would imagine most of the laughs will translate well to international markets. Some of the nuances will certainly be lost, but, by and large, the film is working with a broader palette by juxtaposing the supernatural with the utterly banal. And it works exceptionally well.

In an unspecified rural Irish town, Rose Dooley (Agatha Ellis) is a young girl with the ability to talk to ghosts, who works with her father, famed paranormal researcher Vincent Dooley (Risteard Cooper, playing the character as if he's in an ultra-serious existentialist drama). However, when an incident involving a dog, a bus, and a haunted pothole (don't ask), leaves Vincent dead, Rose swears never to use her ability again. Fast-forward 20-odd years, and the now adult Rose (stand-up comedienne Maeve Higgins, who is also credited with "additional writing") is a genial but lonely driving instructor whose only real friend is her sister Sailor (Terri Chandler). Rose receives calls every day from those looking for help contacting the dead, but she steadfastly refuses to get involved. Meanwhile, Martin Martin (a superb Barry Ward, whose physicality reminded me of Michael Crawford) and his daughter Sarah (Emma Coleman) are being haunted by Martin's deceased wife, Bonnie, and so Martin contacts Rose, pretending he wants a driving lesson. However, when he reveals his true intentions, although the two have really clicked, Rose refuses to help. At the same time, one-hit-wonder Christian Winter (a hilarious Will Forte in full caricature mode), living in Ireland as a tax exile, is desperate to make a comeback, and has abducted a local virgin, who he must sacrifice to Astaroth on the night of the blood moon. Which wouldn't be a problem except that his wife, Claudia (a spectacularly acerbic Claudia O'Doherty), accidentally causes the young girl to, well, explode. With the blood moon in a couple of days, Christian must find another virgin, and lands on Sarah. However, Rose has decided to relent and help Martin banish Bonnie, but upon arriving at the house, she quickly realises they have bigger problems when she finds Emma levitating (never a good sign). Deducing that she's imprisoned in a "holding spell", Rose tells Martin that the only way they can save her is by collecting the ectoplasm of seven ghosts, and they can only do that by letting each ghost temporarily possess Martin. And so begins a race against time as Rose and Martin try to save Sarah, and Christian attempts to stop them.

_Extra Ordinary_ is one of those films that could have been distractingly sardonic if it wasn't made with such genuine warmth. Sure, the humour is, for the most part, fairly irreverent, but it's done in such a way as to endear the characters to the audience due to their imperfections rather than encourage us to laugh at their failings. For example, when Rose explains to Martin what she has to do to release Sarah, he responds, "_oh, so like_ The Exorcist?", to which she says, completely seriously, "_I don't know, I've never met him._" It's a funny moment, but so too is it a rather sweet moment, and a lot of the humour is in this vein; on the edge of being sarcastic, but never cynical.

Another important aspect of the humour is that the jokes come thick and fast from literally the opening few seconds. Indeed, there's rarely a scene without some element of humour somewhere in it. This isn't the type of comedy where everything gets serious at certain points, or where the characters' experiences force them to make major changes to their lives because they have learned this lesson and that lesson. Instead, from the opening voiceover to literally the last words spoken, this is wall-to-wall humour. For example, Martin is essentially a victim of "_domestic violence by spectre_" (his deceased wife enjoys roughing him up), but Ahern and Loughman never allow this to become an issue as so many comedy writers do, using humour as a platform to examine serious topics. There's nothing wrong with that, of course, but it's just not how _Extra Ordinary_ operates. Along the same lines, there's Martin's relationship with Sarah. He's introduced as being overly protective of her (his great fear is that she'll end up "_a homeless sex maniac living on the streets and snorting hash_"), whilst she views him as a bit of an embarrassment. However, their relationship never leads to the clichéd old scene where [insert emotion here] they learn to value one another's flaws. Again, that's just not the film's _modus operandi_, and it's all the fresher because of it.

As mentioned, the humour is introduced in the first few seconds, as the film opens with a VHS recording of Vincent Dooley's public access TV show (featuring some of the most low-rent production values you'll ever see), with Dooley explaining that the reason cheese gives people bad dreams is because cheese is made of the same stuff as ghosts, and hence, ghosts find cheese easy to inhabit. In fact, he tells us, most cheese is haunted, as we watch a montage of stock footage of cheese complete with VHS tracking lines along the bottom of the screen. And this is the tone in which the entire film takes place; it never really departs from this register (which does have the effect of letting you know almost instantly whether you're likely to enjoy it). Later on, a major plot point is Christian's "_virgin rod_". This is a magical staff which can point Christian towards a suitable virgin for sacrifice (although as Claudia points out, it looks like a huge wooden dildo). To avail of its services, he must hold it up, whisper an incantation, then drop it, and it will point towards a virgin. He must then walk a few feet in that direction, pick it up, and repeat. And yes, it's as absurdly ridiculous as it sounds, and the shot of him wandering across an empty field as he continually picks up and drops the stick is absolutely hilarious.

The film doesn't rely too heavily on sight-gags, but there's a moment towards the end that is side-splitting. In a climactic car chase, as Sarah floats down the road towards the sacrificial altar, she's followed by Christian and Claudia in one car and Rose and Martin in another. The first few shots are all tight interiors, but when it finally cuts to a wide shot, we realise why – the entire chase is taking place at around 10mph, as they are all moving at the speed Sarah is floating. It's one of the most slapstick moments, and even without the increasingly frustrated Claudia's solution to speed things up, it's one of the best scenes in the film – but what she does to get things moving elevate it to a whole other level. And I won't spoil anything, but the "ginger werewolf scene" has to be seen to be believed; suffice to say, it's pure _Father Ted_ humour, with an elaborate build-up that makes the utter mundanity of the punchline exquisite (point of fact, I'd be shocked to find that Ahern and Loughman weren't _Ted_ fans, as the film has very similar DNA).

However, easily the single most hilarious moment is when we see a brief clip of Christian's claim to fame, a song called "Cosmic Woman" that is so obviously a riff on Chris de Burgh's "A Spaceman Came Travelling By" (1976), I'm pretty sure he could sue for royalties. Everything about it, from the cheesy special effects in the video to the instrumental refrain to the self-important lyrics, just screams out where it was taken from. At the screening I attended, the film had been getting a lot of laughs, but, much to my surprise, this scene didn't, with only a few of us finding it really funny. It was only when I was leaving the theatre I realised why – the majority of the audience was too young to be in on the joke. If you don't know the song, do yourself a favour and watch the video for "Spaceman" on YouTube before seeing the film. It'll enrich your viewing experience, trust me.

Elsewhere, there are plenty of smaller moments that really stand out. For example, right at the start, a "_based on a true story_" subtitle appears on screen. Perhaps getting a dig at the seemingly never-ending spate of horror films to make this claim, however tenuous, no sooner has the subtitle appeared when a garbage truck quite literally drives across the frame, erasing the words behind it. A beautiful and perfectly judged self-reflexive moment if ever there was one. Along the same lines is cinematographer James Mather's tendency to use overly dramatic crash pans (usually accompanied by a similarly overly-dramatic sound effect), especially in car scenes, with the incongruity between hyperkinetic form and utterly mundane content never failing to make me chuckle. Speaking of overly-dramatic shots, in one particular scene Mather even uses the Brian De Palma staple that is the split diopter, except he does so in the most mundane setting you could possibly imagine (in a scene in which a person holds a mop in front of their face as a disguise), with predictably hilarious results. Another shot worth mentioning is one I've seen used on a few posters, and it's "_The Exorcist_ shot", which sees Rose standing in Martin's garden looking up at the illuminated window. There's also Christian's truly hilarious driving lesson (his mortal fear is being behind the wheel of a car), which sees him spend more time putting on a pair of driving gloves than actually driving. Managing to go all of four feet (and somehow giving himself a bloody nose in the process), he decides he's had enough for the day, and then sits silently and motionless, until Rose realises he's waiting for her to come around and open his door. Also consistently funny is Claudia's inability to understand why the virgin must be sacrificed on a particular night, with her refrain of "_just kill the bitch_" one of the film's best running gags.

Finally, I'd be remiss here if I didn't mention Barry Ward's performance as Martin. Due to the nature of the plot, he has to play multiple characters, but as each one still looks like Martin, he has to convey everything with tone of voice and physicality, so as he moves from leering old man to chain-smoking nagging wife, you really see his range as a performer as he differentiates from one spirit to the next.

_Extra Ordinary_ is a distinctly Irish film, but it's one whose self-aware brand of Irishness should travel pretty well. Strong performances all-round, constant laughs, some terrific sight-gags, and a generally warm tone make for a fine film. For some, the highpoint will be Forte's ludicrously over-the-top Christian, for others, it will be the genuinely touching character beats between Rose and Martin. Irrespective of your preference, however, I would strongly recommend this truly charming film.